Computer Music Projects

• ACMUS: Room Acoustics, simulation and design.
Participants:
• Fernando Iazzetta (ECA/USP)
• Fábio Kon (IME/USP)
• Marcelo Queiroz
• Márcio Avelar (UNICAMP)
• several students (see here)
• A multi-agent system for algorithmic composition
Participants:
• Marcelo Queiroz
• Leandro Ferrari Thomaz (PhD student)
• Binaural auralization of moving sound sources using HRTFs
Participants:
• Marcelo Queiroz
• Gustavo Henrique Montesia£o de Sousa (MS student)
• Audible Images: creating visual output from audio input
Participants:
• Marcelo Queiroz
• Mariana Zaparolli Martins (MS student)
• Short-term memory and working memory of melodic sequences
Participants:
• Maria Gabriela Menezes de Oliveira (UNIFESP)
• Mariana Werke (MS student, UNIFESP)
• Maurício A. F. (IC student, UNIFESP)
• Marcelo Queiroz

Links

• Theory and Techniques of Electronic Music: a free online book by Miller Puckette, the author of Pd. It teaches fundamentals of Computer Music and illustrates them with Pd examples.
• Wikipedia article on Computer Music: the article is short, but there are a lot of links to several research areas and topics within Computer Music.
• Archives of the Brazilian Computer Music Symposium: this is a bianual conference. Almost all proceedings are freely available in this repository.
  
• Music: A Mathematical Offering: a free online book by David Benson, published by Cambridge University Press. It covers basic acoustics, Fourier theory, instrument and room acoustics, scales and tunings, digital signal synthesis and processing, and more.
• Introduction to Sound Processing and The Sounding Object: free online books by Davide Rocchesso on synthesis and signal processing.
• Notes on Fourier Analysis (in portuguese): this is a (not so) short text on Fourier analysis based on Norman Morrison's "Introduction to Fourier Analysis".
• Webpage of the Computer Music Course, 1st semester/2005 (in portuguese): here you'll find notes on Fourier Analysis, homework assignments and synthesis examples in CSound and Octave.